[{"data":1,"prerenderedAt":505},["ShallowReactive",2],{"/programmes":3},[4,109,203,298,378,463],{"body":5,"name":104,"with":105,"type":106,"link":107,"id":108},{"type":6,"value":7,"toc":101},"minimark",[8],[9,10,11,19],"program",{},[12,13,15],"template",{"v-slot:description":14},"",[16,17,18],"p",{},"Programme de concertos pour violoncelle vénitiens, célébration du concerto, exubérance et festivités vénitiennes !",[12,20,21,44,59,81,95],{"v-slot:program":14},[16,22,23,27,28,31,33,34,36,39,40,42],{},[24,25,26],"strong",{},"Corelli",", extrait sonate pour violon – Adagio (deux violoncelles)",[29,30],"br",{},[24,32,26],{},", sonate do majeur op. 4 n°1 – Preludio Largo",[29,35],{},[24,37,38],{},"Vivaldi",", concerto pour violoncelle RV 401",[29,41],{},[29,43],{},[16,45,46,49,50,52,54,55,57],{},[24,47,48],{},"Dall’Abaco",", caprice en do mineur",[29,51],{},[24,53,38],{},", concerto pour violoncelle RV 416",[29,56],{},[29,58],{},[16,60,61,64,65,67,70,71,73,76,77,79],{},[24,62,63],{},"Gabrielli",", sonate pour violoncelle – Adagio",[29,66],{},[24,68,69],{},"Uccelini",", Bergamasca",[29,72],{},[24,74,75],{},"Anonyme",", concerto pour violoncelle",[29,78],{},[29,80],{},[16,82,83,85,86,88,90,91,93],{},[24,84,48],{},", caprice en sol mineur",[29,87],{},[24,89,38],{},", concerto pour deux violoncelles RV 531",[29,92],{},[29,94],{},[16,96,97,100],{},[24,98,99],{},"Ruvo",", Tarentelle",{"title":14,"searchDepth":102,"depth":102,"links":103},2,[],"Concerti per violoncello","Le Consort","Récital de sonates pour violoncelle et basse continue","https:...","programs/programmes/1.concerti-per-violoncello.md",{"body":110,"name":199,"with":200,"type":200,"link":201,"id":202},{"type":6,"value":111,"toc":197},[112],[9,113,114,119],{},[12,115,116],{"v-slot:description":14},[16,117,118],{},"Programme qui explore les liens entre Vivaldi et ses pairs en Italie ainsi que l’émergence du violoncelle au début du XVIIIème siècle à travers l’Europe.",[12,120,121,130,146,161,183,192],{"v-slot:program":14},[16,122,123,125,126,128],{},[24,124,38],{},", sonate RV40",[29,127],{},[29,129],{},[16,131,132,135,136,138,141,142,144],{},[24,133,134],{},"Marcello",", sonate VII pour clavecin – Adagio",[29,137],{},[24,139,140],{},"Garavaglia",", sonata pour violoncelle et basse continue",[29,143],{},[29,145],{},[16,147,148,150,151,153,156,157,159],{},[24,149,48],{},", caprice pour violoncelle seul en do mineur",[29,152],{},[24,154,155],{},"Taglietti",", aria da suonare XIX col violoncello e spinetta o violone – Adagio",[29,158],{},[29,160],{},[16,162,163,166,167,169,172,173,175,178,179,181],{},[24,164,165],{},"Bach",", concerto en ré majeur – larghetto BWV 972",[29,168],{},[24,170,171],{},"Platti",", sonata terza du deuxième livre de sonates pour violoncelle et basse continue – largo",[29,174],{},[24,176,177],{},"Giorgio Antoniotto",", sonate op. 1 n°4 pour violoncelle et basse continue",[29,180],{},[29,182],{},[16,184,185,187,188,190],{},[24,186,48],{},", caprice pour violoncelle seul en ré mineur",[29,189],{},[29,191],{},[16,193,194,196],{},[24,195,38],{},", sonata RV43 en la mineur",{"title":14,"searchDepth":102,"depth":102,"links":198},[],"E il violoncello suonò",null,"https://www.youtube.com/watch?feature=shared&v=tzi3y0T3sUQ","programs/programmes/2.e-il-violoncello-suono.md",{"body":204,"name":294,"with":200,"type":295,"link":296,"id":297},{"type":6,"value":205,"toc":292},[206],[9,207,208,213],{},[12,209,210],{"v-slot:description":14},[16,211,212],{},"On voyage en remontant l’Europe, et en suivant les destins passionnants de plusieurs compositeurs reconnus, et d’autres plus rares, chacun évoquant Paris et Venise.",[12,214,215,231,246,255,268,287],{"v-slot:program":14},[16,216,217,220,221,223,226,227,229],{},[24,218,219],{},"Boismortier",", sonate op. 14 n°1 – mouvement lent",[29,222],{},[24,224,225],{},"Barrière",", sonate en si mineur livre III n°1",[29,228],{},[29,230],{},[16,232,233,236,237,239,241,242,244],{},[24,234,235],{},"Rameau",", les tendres plaintes",[29,238],{},[24,240,38],{},", sonate RV46 Largo",[29,243],{},[29,245],{},[16,247,248,250,251,253],{},[24,249,38],{},", sonate RV43 en la mineur",[29,252],{},[29,254],{},[16,256,257,259,260,263,264,266],{},[24,258,48],{},", caprice pour violoncelle seul en do mineur\n",[24,261,262],{},"Masse",", Menuets nouveaux",[29,265],{},[29,267],{},[16,269,270,272,273,275,277,278,280,282,283,285],{},[24,271,219],{},", sonate n°3 op. 14 – “lentement”",[29,274],{},[24,276,48],{},", caprice en ré mineur",[29,279],{},[24,281,219],{},", sonate en la mineur op. 26",[29,284],{},[29,286],{},[16,288,289,291],{},[24,290,140],{},", sonate en sol mineur",{"title":14,"searchDepth":102,"depth":102,"links":293},[],"Entre Paris et Venise","RÉCITAL DE SONATES POUR VIOLONCELLE ET BASSE CONTINUE","https://www.youtube.com/watch?v=QKywlI9eJYo","programs/programmes/3.entre-paris-et-venise.md",{"body":299,"name":374,"with":200,"type":375,"link":376,"id":377},{"type":6,"value":300,"toc":372},[301],[9,302,303,308],{},[12,304,305],{"v-slot:description":14},[16,306,307],{},"Programme violoncelle seul, autour des suites de Bach en miroir avec les caprices de Dall’Abaco et les danses de Ruvo, Ciaconna et Tarentella. Bach a été très influencé par Vivaldi, ce qui montre l’aura et l’influence de Venise à cette période. Dall’Abaco fut probablement inspiré par Bach pour ses caprices, le XVIIIème siècle se tisse et se dessine par le biais de toutes ces influences.",[12,309,310,323,335,353,367],{"v-slot:program":14},[16,311,312,277,314,316,318,319,321],{},[24,313,48],{},[29,315],{},[24,317,165],{},", première suite pour violoncelle seul en sol majeur",[29,320],{},[29,322],{},[16,324,325,135,327,329,141,331,333],{},[24,326,134],{},[29,328],{},[24,330,140],{},[29,332],{},[29,334],{},[16,336,337,49,339,341,343,344,346,348,349,351],{},[24,338,48],{},[29,340],{},[24,342,155],{},", aria",[29,345],{},[24,347,48],{},", caprice en mi mineur",[29,350],{},[29,352],{},[16,354,355,357,358,360,362,363,365],{},[24,356,99],{},", chaconne",[29,359],{},[24,361,165],{},", troisième suite en do majeur",[29,364],{},[29,366],{},[16,368,369,371],{},[24,370,99],{},", tarentella",{"title":14,"searchDepth":102,"depth":102,"links":373},[],"Bach / Dall’Abaco","RÉCITAL VIOLONCELLE SEUL","https://www.youtube.com/watch?v=dgFByIdVFP4","programs/programmes/4.bach-dallabaco.md",{"body":379,"name":459,"with":460,"type":200,"link":461,"id":462},{"type":6,"value":380,"toc":457},[381],[9,382,383,388],{},[12,384,385],{"v-slot:description":14},[16,386,387],{},"Ce programme est né du désir de convier l’auditeur dans l’intimité du foyer de Clara et Robert Schumann, au milieu du XIXème siècle. En voyageant de Leipzig à Dresde ou Düsseldorf, nous souhaitons “ouvrir la porte de leur salon”, où le couple, ainsi que leurs amis artistes se retrouvaient et échangeaient autour de la musique qui les touchait et les inspirait, de la musique du passé comme de celle de leur génération, leurs enfants jouant à côté, remplissant la pièce de rires joyeux.",[12,389,390],{"v-slot:program":14},[16,391,392,395,396,398,401,402,404,406,407,409,411,412,414,417,418,420,423,424,426,429,430,432,435,436,438,440,441,443,445,446,448,451,452,454,456],{},[24,393,394],{},"R. Schumann",", “Vom fremden Ländern und Menschen”, extrait des Kinderszenen, op. 13 n°1 – arr. tiro",[29,397],{},[24,399,400],{},"C. Schumann",", trio avec piano op. 17 – Andante",[29,403],{},[24,405,400],{},", “Soirées musicales” op. 6 – Notturno pour piano solo",[29,408],{},[24,410,394],{},", Trio avec piano op. 80",[29,413],{},[24,415,416],{},"J.S. Bach",", prélude BWV938 mi mineur pour piano solo",[29,419],{},[24,421,422],{},"N. Gade",", Elegy extrait des Akvarellen op. 19 – arr. violon piano",[29,425],{},[24,427,428],{},"F. Mendelssohn",", Andante et Allegro brillante pour piano à 4 mains op. 92 (invité : Jorge Gonzalez Buajasan)",[29,431],{},[24,433,434],{},"Theodor Kirchner",", extraits Bunte Blatter op. 83",[29,437],{},[24,439,394],{},", 5 stücke im volkston n°2 – Langsam, violoncelle et piano",[29,442],{},[24,444,434],{},", extraits Bünte Blatter op. 83",[29,447],{},[24,449,450],{},"J. Brahms",", “Wiegenlied” op. 49 n°4 – arr. trio",[29,453],{},[24,455,394],{},", “Der Dichter spricht” extrait des Kinderszenen op. 15 n°13",{"title":14,"searchDepth":102,"depth":102,"links":458},[],"Une invitation chez les Schumann","Dichter TRIO","https://www.youtube.com/watch?v=xZO36G-GTxA","programs/programmes/5.une-invitation-chez-les-schumann.md",{"body":464,"name":500,"with":501,"type":502,"link":503,"id":504},{"type":6,"value":465,"toc":498},[466],[9,467,468,473],{},[12,469,470],{"v-slot:description":14},[16,471,472],{},"Vers la fin du romantisme, le langage des compositeurs reste d’un grand lyrisme mais tire vers une autre esthétique. La musique de salon se complexifie. Nous sommes à la croisée des mondes. Ce programme permet de découvrir l’œuvre Henriette Renié qui cite ouvertement la sonate de Franck (qui a été son professeur) dans sa sonate pour violoncelle. Enfin, on ouvre vers l’après avec la figure de Debussy, qui change le visage de la musique française, on remarque dans cette œuvre de jeunesse, composée en 1882, l’inspiration de l’Espagne, qu’on retrouve plus tard dans la sonate pour violoncelle ou encore dans Iberia.",[12,474,475],{"v-slot:program":14},[16,476,477,480,481,483,486,487,489,491,492,494,497],{},[24,478,479],{},"Franck",", Mélancolie",[29,482],{},[24,484,485],{},"Renié",", Sonate pour violoncelle et piano",[29,488],{},[24,490,479],{},", Sonate pour violoncelle et piano FWV 8",[29,493],{},[24,495,496],{},"Debussy",", Nocturne et scherzo",{"title":14,"searchDepth":102,"depth":102,"links":499},[],"La Belle Époque","Fiona Mato (piano)","RÉCITAL DE SONATE PIANO VIOLONCELLE","https://www.youtube.com/watch?feature=shared&v=7zs24_a3XLo","programs/programmes/6.la-belle-epoque.md",1780492682682]