[{"data":1,"prerenderedAt":504},["ShallowReactive",2],{"/en/programs":3},[4,109,202,297,377,462],{"body":5,"name":104,"with":105,"type":106,"link":107,"id":108},{"type":6,"value":7,"toc":101},"minimark",[8],[9,10,11,19],"program",{},[12,13,15],"template",{"v-slot:description":14},"",[16,17,18],"p",{},"A programme of Venetian cello concertos, a celebration of the concerto, exuberance and Venetian festivities!",[12,20,21,44,59,81,95],{"v-slot:program":14},[16,22,23,27,28,31,33,34,36,39,40,42],{},[24,25,26],"strong",{},"Corelli",", excerpt from violin sonata - Adagio (two cellos)",[29,30],"br",{},[24,32,26],{},", C major sonata op. 4 no. 1 - Preludio Largo",[29,35],{},[24,37,38],{},"Vivaldi",", cello concerto RV 401",[29,41],{},[29,43],{},[16,45,46,49,50,52,54,55,57],{},[24,47,48],{},"Dall'Abaco",", caprice in C minor",[29,51],{},[24,53,38],{},", cello concerto RV 416",[29,56],{},[29,58],{},[16,60,61,64,65,67,70,71,73,76,77,79],{},[24,62,63],{},"Gabrielli",", cello sonata - Adagio",[29,66],{},[24,68,69],{},"Uccelini",", Bergamasca",[29,72],{},[24,74,75],{},"Anonymous",", cello concerto",[29,78],{},[29,80],{},[16,82,83,85,86,88,90,91,93],{},[24,84,48],{},", Caprice in G minor",[29,87],{},[24,89,38],{},", Concerto for two cellos RV 531",[29,92],{},[29,94],{},[16,96,97,100],{},[24,98,99],{},"Ruvo",", Tarantella",{"title":14,"searchDepth":102,"depth":102,"links":103},2,[],"Concerti per violoncello","Le Consort","Recital of sonatas for cello and continuo",null,"programs/en/programs/1.concerti-per-violoncello.md",{"body":110,"name":199,"with":107,"type":107,"link":200,"id":201},{"type":6,"value":111,"toc":197},[112],[9,113,114,119],{},[12,115,116],{"v-slot:description":14},[16,117,118],{},"A programme exploring the links between Vivaldi and his peers in Italy and the emergence of the cello in the early 18th century across Europe.",[12,120,121,130,146,161,183,192],{"v-slot:program":14},[16,122,123,125,126,128],{},[24,124,38],{},", sonata RV40",[29,127],{},[29,129],{},[16,131,132,135,136,138,141,142,144],{},[24,133,134],{},"Marcello",", sonata VII for harpsichord - Adagio",[29,137],{},[24,139,140],{},"Garavaglia",", sonata for cello and continuo",[29,143],{},[29,145],{},[16,147,148,150,151,153,156,157,159],{},[24,149,48],{},", caprice for solo cello in C minor",[29,152],{},[24,154,155],{},"Taglietti",", aria da suonare XIX col violoncello e spinetta o violone - Adagio",[29,158],{},[29,160],{},[16,162,163,166,167,169,172,173,175,178,179,181],{},[24,164,165],{},"Bach",", concerto in D major - larghetto BWV 972",[29,168],{},[24,170,171],{},"Platti",", sonata terza from the second book of sonatas for cello and continuo - largo",[29,174],{},[24,176,177],{},"Giorgio Antoniotto",", sonata op. 1 no. 4 for cello and continuo",[29,180],{},[29,182],{},[16,184,185,187,188,190],{},[24,186,48],{},", caprice for solo cello in D minor",[29,189],{},[29,191],{},[16,193,194,196],{},[24,195,38],{},", sonata RV43 in A minor",{"title":14,"searchDepth":102,"depth":102,"links":198},[],"E il violoncello suonò","https://www.youtube.com/watch?feature=shared&v=tzi3y0T3sUQ","programs/en/programs/2.e-il-violoncello-suono.md",{"body":203,"name":293,"with":107,"type":294,"link":295,"id":296},{"type":6,"value":204,"toc":291},[205],[9,206,207,212],{},[12,208,209],{"v-slot:description":14},[16,210,211],{},"We travel back through Europe, following the fascinating destinies of a number of well-known composers, as well as rarer ones, each evoking Paris and Venice.",[12,213,214,230,245,253,267,286],{"v-slot:program":14},[16,215,216,219,220,222,225,226,228],{},[24,217,218],{},"Boismortier",", sonata op. 14 no. 1 - slow movement",[29,221],{},[24,223,224],{},"Barrière",", sonata in B minor book III no. 1",[29,227],{},[29,229],{},[16,231,232,235,236,238,240,241,243],{},[24,233,234],{},"Rameau",", les tendres plaintes",[29,237],{},[24,239,38],{},", sonata RV46 Largo",[29,242],{},[29,244],{},[16,246,247,196,249,251],{},[24,248,38],{},[29,250],{},[29,252],{},[16,254,255,150,257,259,262,263,265],{},[24,256,48],{},[29,258],{},[24,260,261],{},"Masse",", Menuets nouveaux",[29,264],{},[29,266],{},[16,268,269,271,272,274,276,277,279,281,282,284],{},[24,270,218],{},", Sonata No. 3 Op. 14 - “lentement”",[29,273],{},[24,275,48],{},", caprice in D minor",[29,278],{},[24,280,218],{},", sonata in A minor op. 26",[29,283],{},[29,285],{},[16,287,288,290],{},[24,289,140],{},", sonata in G minor",{"title":14,"searchDepth":102,"depth":102,"links":292},[],"From Paris to Venice","RECITAL OF SONATAS FOR CELLO AND CONTINUO","https://www.youtube.com/watch?v=QKywlI9eJYo","programs/en/programs/3.entre-paris-et-venise.md",{"body":298,"name":373,"with":107,"type":374,"link":375,"id":376},{"type":6,"value":299,"toc":371},[300],[9,301,302,307],{},[12,303,304],{"v-slot:description":14},[16,305,306],{},"A solo cello programme based around Bach's suites, mirrored by the caprices of Dall'Abaco and the dances of Ruvo, Ciaconna and Tarentella. Bach was greatly influenced by Vivaldi, which shows the aura and influence of Venice at that time. Dall'Abaco must have been inspired by Bach for his caprices, and the eighteenth century is woven and shaped by all these influences.",[12,308,309,322,334,352,366],{"v-slot:program":14},[16,310,311,276,313,315,317,318,320],{},[24,312,48],{},[29,314],{},[24,316,165],{},", first suite for solo cello in G major",[29,319],{},[29,321],{},[16,323,324,135,326,328,141,330,332],{},[24,325,134],{},[29,327],{},[24,329,140],{},[29,331],{},[29,333],{},[16,335,336,49,338,340,342,343,345,347,348,350],{},[24,337,48],{},[29,339],{},[24,341,155],{},", aria",[29,344],{},[24,346,48],{},", caprice in E minor",[29,349],{},[29,351],{},[16,353,354,356,357,359,361,362,364],{},[24,355,99],{},", chaconne",[29,358],{},[24,360,165],{},", third suite in C major",[29,363],{},[29,365],{},[16,367,368,370],{},[24,369,99],{},", tarantella",{"title":14,"searchDepth":102,"depth":102,"links":372},[],"Bach / Dall’Abaco","SOLO CELLO RECITAL","https://www.youtube.com/watch?v=dgFByIdVFP4","programs/en/programs/4.bach-dallabaco.md",{"body":378,"name":458,"with":459,"type":107,"link":460,"id":461},{"type":6,"value":379,"toc":456},[380],[9,381,382,387],{},[12,383,384],{"v-slot:description":14},[16,385,386],{},"This programme was born of the desire to invite the listener into the intimate home of Clara and Robert Schumann in the mid-nineteenth century. By travelling from Leipzig to Dresden or Düsseldorf, we hope to ‘open the door of their living room’, where the couple and their artist friends would meet and talk about the music that touched and inspired them, music of the past as well as that of their generation, their children playing nearby, filling the room with joyful laughter.",[12,388,389],{"v-slot:program":14},[16,390,391,394,395,397,400,401,403,405,406,408,410,411,413,416,417,419,422,423,425,428,429,431,434,435,437,439,440,442,444,445,447,450,451,453,455],{},[24,392,393],{},"R. Schumann",", ‘Vom fremden Ländern und Menschen’, excerpt from Kinderszenen, op. 13 no. 1 - arr. tiro",[29,396],{},[24,398,399],{},"C. Schumann",", Piano trio op. 17 - Andante",[29,402],{},[24,404,399],{},", ‘Soirées musicales’ op. 6 - Notturno for piano solo",[29,407],{},[24,409,393],{},", Piano trio op. 80",[29,412],{},[24,414,415],{},"J.S. Bach",", Prelude BWV938 E minor for solo piano",[29,418],{},[24,420,421],{},"N. Gade",", Elegy from the Akvarellen op. 19 - arr. violin piano",[29,424],{},[24,426,427],{},"F. Mendelssohn",", Andante and Allegro brillante for piano 4 hands op. 92 (guest: Jorge Gonzalez Buajasan)",[29,430],{},[24,432,433],{},"Theodor Kirchner",", excerpts from Bunte Blatter op. 83",[29,436],{},[24,438,393],{},", 5 stücke im volkston n°2 - Langsam, cello and piano",[29,441],{},[24,443,433],{},", excerpts from Bünte Blatter op. 83",[29,446],{},[24,448,449],{},"J. Brahms",", ‘Wiegenlied’ op. 49 no. 4 - arr. trio",[29,452],{},[24,454,393],{},", ‘Der Dichter spricht’ from Kinderszenen op. 15 No. 13",{"title":14,"searchDepth":102,"depth":102,"links":457},[],"An invitation at the Schumanns'","Dichter TRIO","https://www.youtube.com/watch?v=xZO36G-GTxA","programs/en/programs/5.une-invitation-chez-les-schumann.md",{"body":463,"name":499,"with":500,"type":501,"link":502,"id":503},{"type":6,"value":464,"toc":497},[465],[9,466,467,472],{},[12,468,469],{"v-slot:description":14},[16,470,471],{},"Towards the end of Romanticism, composers' language remained highly lyrical, but tended towards a different aesthetic. Salon music became more complex. We are at a crossroads. This programme introduces us to the work of Henriette Renié, who openly quotes Franck's sonata (who had been her teacher) in her cello sonata. Finally, we look to the future with the figure of Debussy, who changed the face of French music. In this early work, composed in 1882, we note the inspiration of Spain, which we find later in the cello sonata and in Iberia.",[12,473,474],{"v-slot:program":14},[16,475,476,479,480,482,485,486,488,490,491,493,496],{},[24,477,478],{},"Franck",", Melancholy",[29,481],{},[24,483,484],{},"Renié",", Sonata for cello and piano",[29,487],{},[24,489,478],{},", Sonata for cello and piano FWV 8",[29,492],{},[24,494,495],{},"Debussy",", Nocturne and scherzo",{"title":14,"searchDepth":102,"depth":102,"links":498},[],"The Belle Époque","Fiona Mato (piano)","PIANO CELLO SONATA RECITAL","https://www.youtube.com/watch?feature=shared&v=7zs24_a3XLo","programs/en/programs/6.la-belle-epoque.md",1780492683047]